1987 • 0h 16m
50%
In Adieu bipède (1987), Hébert turned to performance, using the scratching technique for the scenes with dancing and music. He used the same technique in La Lettre d'amour (1988).
Sound of the Sea
One Hundred Years
A Doonesbury Special
The Window
Kalikangiaroi
Adult’Hair
Wormholes
La Projectionniste
Like a bull in a china shop
Lion Dance
Invocation
Pulcinella
Chimborazo
From the Diaries of Ijon Tichy: A Voyage to Interopia
The Peak
Ghost Burger
Fallin' Floyd
Metamorphosis
Mighty Express: Train Trouble
Groovity